Kim Joo Won : Can you really do it?
Gil Ra Im : What if i say i cant? Will you carry me on your back?
Kim Joo Won : No. Ill carry you in my arms, so i can see your face.
-Secret Garden-
…
HYAAAAAAAAK. KREEEEK.
Psych-Quotes: Some ideas for those who are struggling...
- Talk to a friend on the telephone, or better yet, get together with a friend.
- Do exercise, mindfully. Moderation is key- don’t push yourself too far.
- Go for a long walk somewhere peaceful.
- Watch the clouds.
- Do something for someone else. It can be something big or small.
- …
World does revolve, around you
It’s funny how you realize that two different people you knew from different occasions could meet each other and fall in love without you even intervening. It’s getting funnier when you realize that their world is spinning so fast and you just stand there, watching them go along their own way. To me, it proves that you are not the center of your own world. The world does not belong to anybody. It belongs to itself.
All you know is the world keeps on spinning around. And around.
Baby, world does revolve around you, without you noticing.
Posted January 26, 2013 at 2:24pm
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Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers.
![themonicabird:
downlo:
micropolisnyc:
Why aren’t there more minority models in the pages of fashion magazines?
The answers are often disturbing, and speak to a form of racial bigotry found in the fashion centers of New York and London — as well as a deep-rooted aesthetic that equates prestige and elitism with stereotypical whiteness (and thin-ness).
Here are a few highly-revealing quotes from fashion industry employees, from an analysis of the industry by Ashley Mears, a sociologist and former model. Her article is called “Size zero high-end ethnic: Cultural production and the reproduction of culture in fashion modeling,” and was published in 2009. Mears kept the identities of her sources private.
“A lot of black girls have got very wide noses… The rest of her face is flat, therefore, in a flat image, your nose, it broadens in a photograph. It’s already wide, it looks humongous in the photograph. I think that’s, there’s an element of that, a lot of very beautiful black girls are moved out by their noses, some of them.” —H, London Agency Director
“But it’s also really hard to scout a good black girl. Because they have to have the right nose and the right bottom. Most black girls have wide noses and big bottoms so if you can find that right body and that right face, but it’s hard.” —A, NYC Agency Scout
“Okay let’s say Prada. You don’t have a huge amount of black people buying Prada. They can’t afford it. Okay so that’s economics there. So why put a black face? They put a white face, because those are the ones that buy the clothes.” —L, NYC Stylist
“We don’t like using the same model too often, but it’s harder to find ethnic girls. And…well, I don’t want to sound racist, but— well for Asians, it’s hard to find tall girls that will fit the clothes because most of them are very petit. For black girls, I guess—black girls have a harder edge kind of look, like if I’m shooting something really edgy, I’ll use a black girl, it always just depends on the clothes.” —A, NYC Magazine Editor
“Me personally, in my opinion, there really is no good, good, black girl around. The really good, good black girl around are still the same, and are still the one that everybody wants… It’s very difficult to find one. The agency don’t deliver enough choice to make happy the client [sic].” —O, NYC Casting Director
[TW for the article]
White logic is circular logic:
The absence of non-white models is also deeply rooted in a Western relationship with race that aligns ethnic women with a heightened sexuality and accessibility. The editorial fashion world wants to downplay sexuality to the maximum, thus they choose child-bodied, excessively thin women with unique facial structures within the parameters of the white aesthetic; no one in the editorial fashion world wants to consider their choices racist but their desire to only utilise a certain appearance and also dismiss ethnic women for a lack of conformity to that standard reveals the latent racism that is perpetuated without question but with a recognisable degree of disappointment and no sense of responsibility.
Ow. My head hurts from reading those responses.
WTF](http://24.media.tumblr.com/tumblr_meklm8oCAx1rbynwco1_500.jpg)
View high resolution
Why aren’t there more minority models in the pages of fashion magazines?
The answers are often disturbing, and speak to a form of racial bigotry found in the fashion centers of New York and London — as well as a deep-rooted aesthetic that equates prestige and elitism with stereotypical whiteness (and thin-ness).
Here are a few highly-revealing quotes from fashion industry employees, from an analysis of the industry by Ashley Mears, a sociologist and former model. Her article is called “Size zero high-end ethnic: Cultural production and the reproduction of culture in fashion modeling,” and was published in 2009. Mears kept the identities of her sources private.
“A lot of black girls have got very wide noses… The rest of her face is flat, therefore, in a flat image, your nose, it broadens in a photograph. It’s already wide, it looks humongous in the photograph. I think that’s, there’s an element of that, a lot of very beautiful black girls are moved out by their noses, some of them.” —H, London Agency Director
“But it’s also really hard to scout a good black girl. Because they have to have the right nose and the right bottom. Most black girls have wide noses and big bottoms so if you can find that right body and that right face, but it’s hard.” —A, NYC Agency Scout
“Okay let’s say Prada. You don’t have a huge amount of black people buying Prada. They can’t afford it. Okay so that’s economics there. So why put a black face? They put a white face, because those are the ones that buy the clothes.” —L, NYC Stylist
“We don’t like using the same model too often, but it’s harder to find ethnic girls. And…well, I don’t want to sound racist, but— well for Asians, it’s hard to find tall girls that will fit the clothes because most of them are very petit. For black girls, I guess—black girls have a harder edge kind of look, like if I’m shooting something really edgy, I’ll use a black girl, it always just depends on the clothes.” —A, NYC Magazine Editor
“Me personally, in my opinion, there really is no good, good, black girl around. The really good, good black girl around are still the same, and are still the one that everybody wants… It’s very difficult to find one. The agency don’t deliver enough choice to make happy the client [sic].” —O, NYC Casting Director
[TW for the article]
White logic is circular logic:
The absence of non-white models is also deeply rooted in a Western relationship with race that aligns ethnic women with a heightened sexuality and accessibility. The editorial fashion world wants to downplay sexuality to the maximum, thus they choose child-bodied, excessively thin women with unique facial structures within the parameters of the white aesthetic; no one in the editorial fashion world wants to consider their choices racist but their desire to only utilise a certain appearance and also dismiss ethnic women for a lack of conformity to that standard reveals the latent racism that is perpetuated without question but with a recognisable degree of disappointment and no sense of responsibility.
Ow. My head hurts from reading those responses.
WTF
“Every girl is expected to have caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama and doll tits. This is why everyone is struggling.”
-Tina Fey
(via hellogiggles)
